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вЂњBut now, not only is Brooklyn home to many production companies, it also draws clients from Manhattan.вЂќ Lief had been aware of WSDGвЂ™s studio design prowess for years, and when he was ready to move forward, he found their entire team extremely supportive. They had the pleasure of collaborating on site with Meryl Streep for nine days of intensive writing and VO.вЂњWe acquired the building back in 1996, a time when the production community didnвЂ™t extend beyond the borders of Manhattan,вЂќ Lief says. The first project in the door was Michelle ObamaвЂ™s CNN вЂњWe Will RiseвЂќ documentary directed by Tony Gerber, for which Blue Table handled all of the editing, sound-mixing, color grading, graphics and vfx. Situated in a handsomely renovated five story building, in BrooklynвЂ™s burgeoning Boerum Hill neighborhood, Blue Table Post is a collaboration by architects Craig Shillito, Bob Kellner and Chris Ithurburn, and Architectural /Acoustic consultants, WSDG-Walters-Storyk Design Group. A long-time dream of triple Emmy-winning editor Oliver Lief, the complex was designed to support his creative talents and, those of Emmy-winning recording mixer/sound designer Rich Cutler and a team of leading colorist/vfx artists.

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The Mix Room is outfitted with an Avid S6 M-40 console and 20 speakers including 2 Focal Twin Be-6 Nearfield Monitors and 6 ceiling-mounted JBL 8350вЂ™s, the suite features a 5вЂ™ x 9вЂ™ screen and a full complement of high-end analog gear for VO recording in the 50 sq. To insure a fully soundproof environment for the 3-D Dolby Atmos Mix Room, the original shallow cellar was excavated six feet to establish a spacious 250 sq. She provided outstanding input and follow through from start to finish.вЂќSet behind a walled-courtyard facing Dean Street, Blue Table Post occupies the buildingвЂ™s ground and lower floors.

Color-Assist Room, which employs a Mac for transcoding footage and exporting ProRes renders. Color Grading Suite features a Dolby PRM-4200 Monitor, an HP server, and shares a database with the neighboring 80 sq. The suite is piloted by Rich Cutler, a veteran sound mixer/designer, with 30+ years of feature film, TV series and commercial credits.The 130 sq.

TheyвЂ™ve emphasized the fact that Brooklyn has never had a post house with this level of technical and physical sophistication. вЂњWeвЂ™ve got a bright, modern, comfortable, and efficient environment, and how many NYC post houses have a fireplace and their own terraced garden? IвЂ™ve attended Post New York Alliance meetings, and have been encouraged by membersвЂ™ enthusiasm for our new facility. Visual contact between the VO Booth and the Mixing/ Screening Room is outstanding, and Oliver Lief tells us Meryl Streep was delighted with the studioвЂ™s comfort level and functionality.вЂќвЂњWe are all delighted with the way Blue Table Post turned out,вЂќ Oliver Lief concludes. Crossley AcousticsвЂ™ Systems installation specialists provided impeccable connectivity. Rich Cutler can pump the volume up to 11 whenever necessary without disturbing any of the edit rooms.

WSDG is an 11-time winner of the NAMM TEC Award for outstanding achievement in Acoustics/Facility Design. WSDG has collaborated with such noted architects as Frank Gehry, Norman Foster and Phillipe Stark. Rahman (India), WSDG principals John Storyk, Beth Walters, Sergio Molho, Silvia Molho, Renato Cipriano, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications.

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